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July 2 - 31 Geneviève Castrée:
"Ceux Qui Ne Sont Plus"(The Dead) drawings, paintings and objects Performance: July 18th, 8:30pm
Opening reception: July 2nd, 6-9pm Performance: July
18th, 8:30pm
Anchor Art Space is pleased to present recent drawings, paintings
and objects by Genevieve Castree. Quebec native Genevieve Castree produces highly crafted work on an intimate
scale. Her fearless sensibility brings us close to a universal existence of loss and suffering. This contrast with the work's
scale makes viewing them a penetrating and beautifully sorrowful experience.
Also an interdisciplinary
artist, Castree occasionally adds music and performance to her work, and records and plays concerts under the name "O
PAON." She has shown work in Canada, the United States, Europe, Australia and Japan. image:
"Yukio" and "Marie", 2010.
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May 7th - June 26th, 2010 Long Drawn Out Process: an exhibition of drawing and installation John Feodorov, Carolyn Law, Margaret Davidson,
Kathryn Glowen, Ron Glowen, Jean Behnke, Natalie Niblack, David Ryan, Ann
Reid, Gail Grinnell, Jane Frances Lloyd,Genevieve Castree, Phil Elverum, Joe Behnke, Jaimie
Terada, Kate Clark, Melissa Madsen, Larry
Calkins

NATALIE NIBLACK
RON GLOWEN
MARGARET DAVIDSON




ANN REID
JANE FRANCES LLOYD
LARRY
CALKINS
GENEVIEVE CASTREE

JOE BEHNKE
DAVID RYAN
KATE CLARK
JEAN BEHNKE
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March 5 - April 24, 2010 Stephen Kafer: Selected wall works... some thoughts







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November 6 - 30, 2009 tangle : New work by Kathryn and Ron Glowen at Anchor art space

tangle is an exhibition of recent works in a variety
of materials that draws inspiration and reference to the patterns of disorder and the undifferentiated condition of the natural
world. tangle is unbounded and messy ”it is clouds, brambles,
dust bunnies. It is lively and complex. tangle is not the straight line, the golden mean. Martha Stewart. Kathryn Glowen a third-generation resident of the coastal Pacific Northwest. The natural world is her surrounding
and essential inspiration, yet she is equally as influenced and inspired by the ways that we examine, interact with and investigate
that world. Her visual language is
derived from the universal (as in the night sky) and the particular (the structure of a leaf or a wasp nest). She is also
drawn to the texture of printed language, particularly dictionary pages, maps and paper ephemera such as postcards, stamps
and package labels. Recent works have focused on the incredibly rich decorative patterns of men's silk neckties as a
material used in her dense, lush color panels. Several of these works were included in the recent exhibition "Finds Refined"
at the Museum of Northwest Art in La Conner, Wash.
In addition to studio works, Kathryn has also worked in
sculptural and installation modes. A major opus, a museum-scale installation titled PETLAND: One Woman's Century, was created
from the personal and business effects of a female proprietor of a pet store in pre-WWII Spokane, Wash. Debuting in 1997,
PETLAND was exhibited at 13 museum and university gallery venues including the Tacoma Art museum (1998) the Whatcom Museum
(2001), and most recently in 2006 at the Museum of Art and Culture in Spokane, Wash.
Ron Glowen is a "semi-retired"
art critic and writer who occasionally collaborates with Kathryn. He has exhibited his own work (drawings, paintings, architectural
works) in several solo and group exhibits including the Eastern Washington University Art Gallery and Noodleworks, an artist
studio complex in Seattle. Kathryn
and Ron live on a farm near Arlington, Wash. tangle exhibited
at Anchor art space November 6th - 28th, 2009. A comprehensive catalog for the exhibit and the Glowen's work will be published
in 2010.




December 4 - 26 Hands at Work: by Iris Graville and photographs by Summer Moon Scriver

Jeffrey Hanks: Amphorae
Rebecca Meloy, Cascadia Tree Suite, blockprints

October 2 - 31Jim Romberg: Raku Ceramics
Jim
Romberg has been making Raku Ceramics for 37 years. His work in Ceramics began at Pottery Northwest in Seattle, later earning
an undergraduate degree from Pomona College in Ancient and Medieval History, and going on to receive an MFA from the Claremont
Graduate School in Ceramics. Recently retired as Professor Emeritus from Southern Oregon University, Jim has established
a studio in Abiquiu, New Mexico. Deeply engaged with the history and practice of Raku Ceramics Romberg’s work integrates
sculptural and wheel thrown forms with a colorful painterly surface bearing the distinct marks of the raku engagement with
fire and smoke. His work is in collections throughout the U.S. & Europe. Jim has exhibited throughout the United
States, Canada and Europe as well as giving workshops. He is a Board Member of the National Council for Education in the
Ceramic Arts where he is project director for an international symposium on Criticism in the Ceramic Arts titled CRITICAL
Santa Fe, to be held in Santa Fe, New Mexico in October, 2010. As a member of the International Academy
of Ceramics based in Switzerland, Romberg will be presenting work and a paper at the biannual meeting in Paris, France in
2010.  
September 4 - 26 Jane Frances Lloyd: Kudoku series
September
4 - 26, 2009 Jerome Marshak
August
7 - 29 Jane
Frances Lloyd
August 7
- 29, 2009 Chris Watts: Selections

July
3 - 31, 2009 Phil Elverum: In Dreams

During What the Heck Fest,
co-organized by Anchor artist Phil Elverum, Anchor art space hosted a talk and presentation
by Rich Jensen on the subject of Space
City.
Statement- Rich Jensen -Space City Intensive installation and discussion July 2009
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A Space City Intensive It follows from a fascinating summer's day a group of friends from Olympia spent together in 1985. The day
involved an expedition from Olympia to a pioneer dairy farm east of Big Lake where the group visited a singular self-taught
artist and tinkerer, Frank Reinhard. The group collected several hours of audio
documentation of the visit with Frank. Some samples of this audio will be available for review as a part of the presentation
this Friday evening, July 17th at Anchor art space as part of What the Heck Fest. Installation opening from 5:30 - 9:00 pm. A free event. Frank was the creator of a roadside attraction that he called Space City,
a free home-made futuristic display which he maintained in his front yard as a public amenity for the enjoyment of thousands
of visitors from about 1956 until 1962 when he became concerned about becoming the target of vandalism.
My hope is that the installation will provide an opportunity for the What the Heck audience (and other interested
persons and passersby) to reflect on the social and historical context of their community, the experience of decades passing,
and problematic conditions that surround and infuse the public presentation of artistic work and exploration.
About
8pm there will be a reunion of friends that visited Frank Reinhard, creator of Space City on that day trip from Olympia in 1985 We will have a public-oriented talk
about our recollections of that particular day, about visiting with Frank, and what the heft of 25 years feels like.
We'll see how conversation goes, hopefully with some energy from the audience, and then we'll play some audio from
the day with Frank. Written by Rich
Jensen, edited by Jean Behnke, curator Anchor art space, July 2009
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June 5 - 27, 2009
Carolyn Law: 'Noting'

May 1 - 30 Michael Berman: "Between Sky and Sea"

April 3 - 2, 2009 Cynthia Nawalinski: "Altered Maps"

March 6 - 28, 2009 Neal Anderson
March
6 - 28, 2009
Sylvia Chesley Smith
December 6, 2008 - February 15, 2009 Peter de Lory: "Roads"
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